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Eliza Hittman
Average Ratings=7,6 of 10
stars=Sidney Flanigan, Talia Ryder
audience Score=46 Vote
Movie Info=Inseparable best friends and cousins Autumn and Skylar precariously navigate the vulnerability of female adolescence in rural Pennsylvania. When Autumn mysteriously falls pregnant, she's confronted by conservative legislation without mercy for blue-collar women seeking an abortion. With Skylar's unfailing support and bold resourcefulness, money to fund the procedure is secured and the duo board a bus bound for New York state to find the help Autumn needs
2020

No upcoming screenings. Available No Tickets Available [[ artDate | amDateFormat: "dddd, MMMM Do"]] [[ artDate | amDateFormat: "h:mm A"]] [[]] You may not purchase more tickets at this time. About U. S. Dramatic Special Jury Award for Neorealism Autumn, a stoic, quiet teenager, is a cashier in a rural Pennsylvania supermarket. Faced with an unintended pregnancy and without viable alternatives for termination in her home state, she and her cousin Skylar scrape up some cash, pack a suitcase, and board a bus to New York City. With only a clinic address in hand and nowhere to stay, the two girls bravely venture into the unfamiliar city. Writer-director Eliza Hittman ( It Felt Like Love, Beach Rats) masterfully creates a spartan cinematic language through gestures and details, where subtext is just as important as written dialogue. Cinematographer Hélène Louvart shoots on 16 mm film, evoking a grainy, bleak, and stark atmosphere, capturing the young actors, Sidney Flanigan and Talia Ryder (both discoveries), in intimate close-ups that accentuate the complexity of their natural, minimalist performances. With bracing clarity and understated emotion, Hittman fearlessly tells the story of a teenage girl making an arduous journey, through which a bigger statement emerges—that of reclaiming her body and her spirit. YEAR 2019 CATEGORY U. Dramatic Competition COUNTRY U. A. RUN TIME 101 min COMPANY Focus Features WEBSITE EMAIL PHONE (212) 887-0685 Credits Director Eliza Hittman Screenwriter Producers Adele Romanski Sara Murphy Executive Producers Rose Garnett Tim Headington Lia Buman Elika Portnoy Alex Orlovsky Barry Jenkins Mark Ceryak Director of Photography Hélène Louvart Editor Scott Cummings Production Designer Meredith Lippincott Casting Directors Geraldine Barón Salome Oggenfuss Costume Designer Olga Mill Composer Julia Holter actor Sidney Flanigan Talia Ryder Théodore Pellerin Ryan Eggold Sharon Van Etten Artist Bio Eliza Hittman is an award-winning filmmaker, born and based in Brooklyn, New York. Her last film, Beach Rats, premiered in the U. Dramatic Competition at the 2017 Sundance Film Festival, where she won the Directing Award. It premiered internationally at the Festival del film Locarno in the Golden Leopard Competition and was the Centerpiece Film at New Directors/New Films. Beach Rats was released domestically by NEON and was a New York Times Critics' Pick.

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Just here for the cringey christian comments. Often always sometimes rarely never. What pain and agony that mother and father have faced. So deeply heart breaking... justice for these little angels. Me: Is that guy denzel's son or something? Denzel: Hasen't happened yet. Never Rarely Sometimes always happy. Never rarely sometimes always movie release date. Finally something different from the major studios, this looks promising, and that cast is insane. I would go see it. Finally it here. Now this is my shii, you see that length. I'm wet. Always often usually sometimes rarely never. Never rarely sometimes always scale. OK, this is just awesome, and yes, it is very anime style in its imagery and being as over the top as it is. Liking it.

I wonder if they used Toxic as a reference for Toxic masculinity. Never rarely sometimes always imdb. Basically a gritty version of Juno, got it THANKS. Never Rarely Sometimes always and forever. Never rarely sometimes always wiki. Inception: Reality Memento: Mind Interstellar: Space Prestige: Soul Dunkirk: Power Tenet: Time Nolan has been building the Infinity Gauntlet this whole time. Never rarely sometimes always movie trailer. Never rarely sometimes always soundtrack. Never rarely sometimes always clip. Never rarely sometimes always trailer subtitulado. | Brian Tallerico January 25, 2020 A quiet teenager named Autumn (newcomer Sidney Flanigan) looks like she carries the weight of the world on her shoulders. She’s introduced singing her heart out at a talent show—after her classmates have all either lip synced or done dance routines. There’s something melancholy in Autumn that’s not in most of her peers, and her only friend seems to be her cousin and co-worker Skylar ( Talia Ryder). It’s not long before we learn what’s weighing on Autumn’s mind—she’s 17 and pregnant. Eliza Hittman, the writer/director of “ Beach Rats, ” returns to Sundance with her best work yet, a powerful drama that’s mostly a character study of two fully-realized young women but also a commentary on how dangerous it is to be a teenage girl in America. With stunning performances from two completely genuine young leads, this is a movie people will talk about all year. Advertisement Just the simple plot description of “Never, Rarely, Sometimes, Always” makes it sound pretty manipulative: a pair of teenage girls struggle in New York City after one of them becomes pregnant and they have to travel there for an abortion. I’ll admit that I have a very low tolerance for stories of young people or children in jeopardy because it so often feels like a cheap trick to pull at the viewer's heartstrings. Hittman doesn’t make that kind of movie. Her filmmaking values detail over melodrama, unsparing of the plight of the teenage girl in America, a place that often treats them as objects or preys on them. Whether it’s the bro who makes lewd gestures at a restaurant, the grocery store manager who kisses his female employees’ hands, or the drunk pervert who pulls out his dick on a subway train, teenage girls navigate a minefield of toxic masculinity on a daily basis. After Autumn learns that Pennsylvania, her home state, requires parental consent, she convinces Skylar to travel with her to New York to get the procedure. With very little money, they make the journey via bus, and are pushed through a system that Autumn wasn’t expecting. What really elevates Hittman’s work here is the sense that Autumn and Skylar are making believable, character-driven decisions on the fly. Whether it’s Autumn piercing her nose after finding out she’s pregnant—maybe to take a form of control again—or how the women scramble to get what they need in New York, decisions feel organic and in-the-moment, adding to an incredible realism that’s embedded throughout the film. It also helps that Hittman is daringly unafraid of silence. There are no monologues. Autumn barely talks at all for long stretches. But Hittman also pushes her camera in close on Flanigan and Ryder, looking for the truth in their faces instead of manipulative dialogue. Hittman also dodges the “scary city” story that her film could have become. For the most part, the people Autumn and Skylar meet in New York are helpful, especially those in the healthcare system. One in particular asks Autumn a series of questions—the scene which gives the film its fantastic title—and it’s a breathtaking sequence, one in which it feels like Autumn herself is forced to come to terms with things she’s buried, even if just for a few minutes. Flanigan is remarkable in this scene, and throughout the film, and she’s well-matched by Ryder. Lesser writers would have made these two characters too similar, but Hittman trusts Ryder and Flanigan to carve out their own roles. They give two of the best young performances in a very long time. There are a few minor beats in “Never, Rarely, Sometimes, Always” that feel either too long or too rushed. It’s mostly a pacing issue in the center of the film, but this is a minor complaint for a major, personal work. Hittman’s visual acuity doesn’t draw attention to itself, but don’t underestimate that aspect either, reflected in simple beats like how she captures a Pennsylvania sunrise on a life-changing day or a tired head against a bus window. There’s an artistry to the filmmaking here that elevates what really matters—her character work. It’s so hard to make stories of young people that don’t feel like they’re using the precariousness of youth as a cheap trick. Adults often write dialogue for teenagers that sounds like posturing—what old people think young people sound like—or they embed moral messages in barely-remembered memories of their younger days. The reason that “Never, Rarely, Sometimes, Always” is such an impressive piece of work is that Hittman has such deep compassion for her two leads, a pair of young women pushing through a world that is constantly putting obstacles in their path. You won’t forget them. This review was filed from the 2020 Sundance Film Festival. 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Never rarely sometimes always movie soundtrack. © Marcel Plasse Never Rarely Sometimes Always: Drama indie premiado no Festival de Berlim ganha novo trailer A Focus Features divulgou o pôster e o segundo trailer de “Never Rarely Sometimes Always”, drama vencedor do Festival de Sundance, que no sábado passado (29/2) também foi consagrado com o Grande Prêmio do Júri do Festival de Berlim. A prévia capricha no drama, ao acompanhar duas primas adolescentes que partem do interior da Pennsylvania para a cidade de Nova York, em busca de auxílio médico para interromper uma gravidez não planejada. Escrito e dirigido por Eliza Hittman (da série “13 Reasons Why”), “Never Rarely Sometimes Always” traz Sidney Flanigan como a garota grávida e Talia Ryder como sua prima. Ambas são estreantes em longa-metragem e o elenco ainda inclui outra estreante notável: a cantora Sharon Van Etten, em seu primeiro filme. Entre os atores de maior experiência, os destaques são de Ryan Eggold (“New Amsterdam”) e Théodore Pellerin (“Boy Erased”). O filme tem estreia comercial marcada para sexta-feira (13/3) nos cinemas norte-americanos e ainda não possui previsão de lançamento no Brasil. © Fornecido por Pipoca Moderna O post Never Rarely Sometimes Always: Drama indie premiado no Festival de Berlim ganha novo trailer apareceu primeiro em Pipoca Moderna. A Microsoft pode ganhar uma comissão de afiliado caso você compre algo recomendado nos links desse artigo Próxima História Mick Jagger volta ao cinema como ambicioso colecionador de arte em 'The Burnt Orange Heresy'.

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Never rarely sometimes always book. I know this is supposed to be a pro choice movie, but it shows how women just dont have options. Abortion is their only option, but there should be more. Also it shows a fully formed fetus which is kind of unrealistic bc thats pretty late in pregnancy... Never rarely sometimes always rotten tomatoes. Iyam early today. This movie reminds me the movies from the late 90s and the early 00s. The questionnaire hit hard.

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Never Rarely Sometimes Always Rated 4.3 / 5 based on 267 reviews.

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